The Power of Three! New short story collection pre-order now.

Candy Jar Books is pleased to announce its latest volume of The HAVOC Files, collecting short stories from late 2016 (in print for the first time) and brand-new exclusive material!

candy_jar_thf3_smallThe HAVOC Files 3 contains five short stories only previously available in digital format and released late-2016: The Last Duty by Christopher Bryant; Eve of the Fomorians by Robert Mammone; The Wishing Bazaar by Sharon Bidwell; The Feast of Evans by Simon A Forward, and Home for Christmas by the Author Collective. It also contains exclusive brand-new stories, including episode two of the three-part novella, The Lost Skin by Andy Frankham-Allen (episode one of which was published in The HAVOC Files 2).

Head of Publishing, Shaun Russell says: “We always enjoy putting these collections together, but we’re nearing a point where we have less previously-released short stories. Fortunately, this gives us the opportunity to release brand new material, making this latest collection an even more sought after product.”

Talking about her new short story, Lucy Wilson, Sue Hampton says: “I’m old enough now to appreciate the importance of family history, of roots and echoes, and genes at work in lives. For every great black-and-white hero that passed away there’s a living successor, connected by love and spirit but completely herself. In this story we see an old man who wasn’t much good at family, but who recognises a direct line to a curly-haired, fearless little girl hungry for stories of aliens. And we meet Lucy Wilson, who has been denied his name along with the truth about who her beloved grandad used to be. Now, before he dies, Sir Alistair Lethbridge-Stewart needs to make sure Lucy understands both her heritage and her extraordinary future.”

Tim Gambrell is no stranger to the range, having won a competition previously to get a character named after him. He says: “When the Lethbridge-Stewart range was first announced I was really excited. There had been a decline in the volume of Doctor Who novels since 2005 and I welcomed anything else within that universe to help fill the void. I started to follow Andy (Frankham-Allen) and Candy Jar on social media to see if there might be opportunities to become involved somewhere along the line. As I recall Andy put out a Twitter request for any of his followers who would like to put their name to a character in a forthcoming book – Beast of Fang Rock as it turned out. I thought to myself ‘yeah, why not?’ and shoved my moniker in the mix. Some months later Tim Gambrell was in print as a scientist at the Vault. As time went on I realised that I’d been a bit hasty – Candy Jar were encouraging new writers to contribute to the range through their short story initiative; here was I, looking for opportunities and my name was already connected through a fictional character. Tim Gambrell couldn’t be both sides of the pen, could he? Andy was brilliant though. He allowed me to submit a story which, thankfully, he liked enough to ask me to develop further story ideas – one of which became The Bledoe Cadets and the Bald Man of Pengriffen. Aware of the conflict of names, I originally offered to use a pseudonym (which I’ve done in the theatre before) but he came up with another solution.”

Range Editor, Andy Frankham-Allen says: “It was inevitable that Tim would write for us, as he’s already sent us a short story previously and even a novel pitch. So, now that he’s finally being published by us, I find myself in the odd position of a fictional character based on one of our authors. As such, part of The Lost Skin’s objectives is to write the character out of the series. Fortunately, he’s not appeared in the narrative of the novels since last year’s Moon Blink, which makes writing him out relatively easy.”

Talking about his short story, Tim continues; “The germ of The Bald Man of Pengriffen was Andy looking for a Famous Five-type story featuring a young Alistair and the Bledoe Cadets (as mentioned in The Forgotten Son). Conveniently enough I’d recently revisited Enid Blyton’s Adventurous Four books from childhood so I knew the kinds of japes and scrapes to aim for – although I was keen for the story to be less cosy than those of Blyton’s world. We discussed a few story ideas but the Bald Man seemed to tick the most boxes – particularly because Andy likes fougous! And by writing a story about the Brigadier as a small boy, I totally avoid any times and situations that could potentially include my namesake.”

Shaun Collins, one of the trimvurate that form the podcasters Traveling the Vortex, joins the collection with a story focused on Professor Travers. He says: “After prodding Andy for information about Candy Jar’s method for soliciting writers and clumsily inserting myself into said method with a few pitches that he quite rightly shot down, he suggested writing something with Professor Travers returning to Det-Sen. With the professor rapidly becoming one of my favourite supporting characters from the series, how could I say no? It was fun inserting him into the thick of James Bond-style danger, watching as he – just as clumsily as my initial pitch – is ensnared by nefarious villains. When Andy told me my short would form the opening prologue for his next novel, I was beyond ecstatic… And immediately began to worry about the safety of the professor. After all, he’s getting up there in years now, and just what did I set him up for?”

Talking about writing The Lost Skin: Episode Two, Andy says: “Originally it was planned to be a straight-up novella, not a part-work. I’m not sure I’m keen on this way of writing, as I like to edit and polish as I go along. Since episode one was published months ago, I no longer have the luxury of editing the first third of the story. It presents a unique challenge for me, one I’m taking by the horns. As a result some of my original plans for the story have changed, but luckily the characters are happy to help me along and take the story in surprising paths.”

Like the previous volumes, The HAVOC Files 3 is only available direct from the Candy Jar Store for £8.99, and is a strictly limited-print run. Pre-order now to avoid disappointment.

 

Strange fungoid creatures in Hull,
a deserted Scottish village at Hallowe’en,
wishes coming true, and a special mission
for Samson and Evans in Llanfairfach.

Young Alistair Lethbridge-Stewart and his friends 
investigate strange happenings in Pengriffen, 
and Professor Travers returns to Tibet,
only to find he’s being followed by enemy agents.
And Sir Alistair rushing to get a very special
gift to his grandaughter. 

Five short stories previously only available in digital
format, published in print for the first time.
Plus three brand new adventures, and part two
of the exclusive three-part novella, The Lost Skin.


A collection of short stories from the classic era of Doctor Who,
starring Brigadier Lethbridge-Stewart and Anne Travers,
based on the characters and concepts created by 
Mervyn Haisman and Henry Lincoln

Includes:

The Bledoe Cadets and the Bald Man of Pengriffen by Tim Gambrell
The Last Duty by Christopher Bryant
Eve of the Fomorians by Robert Mammone
The Wishing Bazaar by Sharon Bidwell
The Feast of Evans by Simon A Forward
Home for Christmas by The Author Collective
Slouching Towards Det-Sen by Shaun Collins 
Lucy Wilson by Sue Hampton

and

The Lost Skin by Andy Frankham-Allen
(part two of a brand-new novella)

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Author: Andy Frankham-Allen

Stephen King, in the introduction to the 2005 re-issue of ‘Salem’s Lot wrote, ‘Writing controlled fiction is called “plotting”. Buckling your seatbelt and letting the story take over, however… that is called “storytelling”. Storytelling is as natural as breathing; plotting is the literary version of artificial respiration’, and that pretty much sums up Andy’s own brand of writing. His stories have plots, but they are plots that evolve from the characters, plots that develop as the characters do once a key idea is conceived. He has written several novels in the Space: 1889 & Beyond series, and short stories for Big Finish’s official Doctor Who anthologies, as well as many short stories published by Untreed Reads and was editor of Pantechnicon eZine which he co-founded with Trudi Topham in 2007. In 2013 he wrote the ultimate guide to the Companions of Doctor Who for Candy Jar Books, which won rave reviews from Doctor Who Magazine (“Frankham-Allen’s style is engaging and enthusiastic, maintaining a pacey discourse throughout when it would have been easy to just provide a droning list… As the role of the companion continues to grow and develop within Doctor Who, on screen and off, there’s a sense that this is just the beginning of a work that is ripe for updating in a few year’s time. Let’s hope that Andy Frankham-allen is already working on volume two.”) and other science fiction magazines. His magnum opus, The Garden, remains incomplete with only the first of four books released. However, until vampires become in vogue again and a mainstream publisher wishes to pick it up, he feels that Seeker will remain an orphan. His favourite contemporary authors are John Connolly, Karin Slaughter and John Ajvide Lindqvist, and his favourite genre authors are HG Wells, John Wyndham and Stephen King. His favourite television shows are Supernatural and Doctor Who (1963-1989) with various other shows vying for third place, including The 4400, Battlestar Galactica (remake), Dollhouse, Buffy the Vampire Slayer and countless others. His musical tastes vary a lot, and he enjoys everything from metal to classical. He’s a bit of a comic fan, or was when younger, and loves almost every single Marvel film made, and a few DC (but can’t stand the work of Christopher Nolan). But most of all he loves with a passion The Transformers (although he always stresses at this point that he’s referring to the original comics that began in 1984 and not the modern iterations thereof). When asked why he became a writer, he explains, ‘I was always going to become one of three things. Either a singer, a dancer or a writer. I can only sing well when in the shower, or drunk, a serious ankle injury in 1996 put paid to any serious dreams of dancing (although I can still move on a dance floor, don’t you worry), and so I was left with writing.’

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