Audio News!

lethbridgestewart_02In conjunction with Fantom Films, Candy Jar Books is pleased to announce that the second in the new series of audiobooks of the Lethbridge-Stewart has now been released.

The Schizoid Earth is written by David A McIntee and read by Terry Molloy.

Lethbridge-Stewart was supposed to be in the mountains of the east, but things didn’t quite go according to plan. On the eve of war, something appeared in the sky; a presence that blotted out the moon. Now it has returned, and no battle plan can survive first contact with this enemy.

Why do the ghosts of fallen soldiers still fight long-forgotten battles against living men? What is the secret of the rural English town of Deepdene? Lethbridge-Stewart has good reason to doubt his own sanity, but is he suffering illness or injury, or is something more sinister going on?

Plagued by nightmares of being trapped in a past that never happened, Lethbridge-Stewart must unravel the mystery of a man ten years out of his time; a man who cannot possibly still exist.

All pre-orders have now been dispatched. The seven disc unabridged audio CD is available priced £18.99 and also on Download priced £13.99. The next two titles will be released in July 2016. You can subscribe direct from Fantom for only £60 for all four releases – saving over £15!

You can order your copy HERE, and listen to an extract HERE.

cropped-page-header-8In other news, the guys at Traveling the Vortex has just reviewed the latest short stories, In His Kiss, The Black Eggs of Khufu and (exclusive to The HAVOC Files), The Enfolded Time. They are joined for the last hour of the podcast by range editor and author Andy Frankham-Allen to discuss UNIT dating and offer a bit of insight into the latest happenings of the Lethbridge-Stewart range. Listen HERE!

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Author: Andy Frankham-Allen

Stephen King, in the introduction to the 2005 re-issue of ‘Salem’s Lot wrote, ‘Writing controlled fiction is called “plotting”. Buckling your seatbelt and letting the story take over, however… that is called “storytelling”. Storytelling is as natural as breathing; plotting is the literary version of artificial respiration’, and that pretty much sums up Andy’s own brand of writing. His stories have plots, but they are plots that evolve from the characters, plots that develop as the characters do once a key idea is conceived. He has written several novels in the Space: 1889 & Beyond series, and short stories for Big Finish’s official Doctor Who anthologies, as well as many short stories published by Untreed Reads and was editor of Pantechnicon eZine which he co-founded with Trudi Topham in 2007. In 2013 he wrote the ultimate guide to the Companions of Doctor Who for Candy Jar Books, which won rave reviews from Doctor Who Magazine (“Frankham-Allen’s style is engaging and enthusiastic, maintaining a pacey discourse throughout when it would have been easy to just provide a droning list… As the role of the companion continues to grow and develop within Doctor Who, on screen and off, there’s a sense that this is just the beginning of a work that is ripe for updating in a few year’s time. Let’s hope that Andy Frankham-allen is already working on volume two.”) and other science fiction magazines. His magnum opus, The Garden, remains incomplete with only the first of four books released. However, until vampires become in vogue again and a mainstream publisher wishes to pick it up, he feels that Seeker will remain an orphan. His favourite contemporary authors are John Connolly, Karin Slaughter and John Ajvide Lindqvist, and his favourite genre authors are HG Wells, John Wyndham and Stephen King. His favourite television shows are Supernatural and Doctor Who (1963-1989) with various other shows vying for third place, including The 4400, Battlestar Galactica (remake), Dollhouse, Buffy the Vampire Slayer and countless others. His musical tastes vary a lot, and he enjoys everything from metal to classical. He’s a bit of a comic fan, or was when younger, and loves almost every single Marvel film made, and a few DC (but can’t stand the work of Christopher Nolan). But most of all he loves with a passion The Transformers (although he always stresses at this point that he’s referring to the original comics that began in 1984 and not the modern iterations thereof). When asked why he became a writer, he explains, ‘I was always going to become one of three things. Either a singer, a dancer or a writer. I can only sing well when in the shower, or drunk, a serious ankle injury in 1996 put paid to any serious dreams of dancing (although I can still move on a dance floor, don’t you worry), and so I was left with writing.’

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